Part 3

Part 3

 

 

                                                                        

 

 

Additional BIBIOGRAPHY

Dazed. (2018). 100 people shaping culture in 2017 | Dazed. [online] Available at: http://www.dazeddigital.com/dazed100 [Accessed 2 Mar. 2018].

 

Katy Barker. (2008). Michal Pudelka — Katy Barker. [online] Available at: http://katybarker.com/artists/michal-pudelka/stills/#&gid=1&pid=807-21 [Accessed 1 Apr. 2018].

 

Faye Spearpoint. (2018). Is fashion an art? [online] Available at: https://fayespearpoint.wordpress.com/2013/02/18/is-fashion-an-art/ [Accessed 17 Mar. 2018].

 

Mediacommons.futureofthebook.org. (2018). Contemporary Male Masculinity in 30 Seconds | In Media Res. [online] Available at: http://mediacommons.futureofthebook.org/imr/2010/02/28/contemporary-male-masculinity-30-seconds [Accessed 12 Mar. 2018].

 

Zhihu.com. (2018). [online] Available at: https://www.zhihu.com/question/62687580 [Accessed 4 Mar. 2018].

 YouTube. (2018). GRAND SUMO Highlights - Day 15 Final (27.November.2016) [1080p HD]. [online] Available at: https://www.youtube.com/watch?v=lUvEZK24JW4&t=45s [Accessed 7 Apr. 2018].

 YouTube. (2018). Celebrity magazine 20120820 Sumo Wrestling king Bai Peng. [online] Available at: https://www.youtube.com/watch?v=XfEN_6qhZpA&t=151s [Accessed 3 Mar. 2018].

YouTube. (2018). China Yunnan TV Official ChannelSumo Wrestling: The secret life of men with unusual strength. [online] Available at: https://www.youtube.com/watch?v=raNQFiJyUlo&t=1598s [Accessed 17 Apr. 2018].

Search-alexanderstreet-com.arts.idm.oclc.org. (2018). University of the Arts London WebLogin. [online] Available at: https://search-alexanderstreet-com.arts.idm.oclc.org/view/work/bibliographic_entity%7Cvideo_work%7C2191085 [Accessed 25 Feb. 2018].

 I-d. (2018). The crisis of masculinity in contemporary cinema. [online] Available at: https://i-d.vice.com/en_uk/article/evxaa7/the-crisis-of-masculinity-in-contemporary-cinema [Accessed 12 Mar. 2018].

Stofer, H, 2006, Wire Jewellery, London: A & C Black
Cheung, L, 2005, Jewellery & Objects, London: Photo ED Press.

Lehman, P. (2011). Masculinity. New York: Routledge.

Decoding masculinity: a conversation on race, religion & masculinity. (2016). London: Shades of Noir,

Miller D. (2008), The Comfort of Things, Cambridge: Polity Press

Perry, G. and Rossington, M. (1997). Femininity and masculinity in Eighteenth century art and culture. Manchester: Manchester University Press.

 

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1920's beauty machine. People rely their aesthetic on machine instead of themselves

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Lauren Kalmen

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DO SO HUO This is a really interesting work because he used a unique way to express his homesick. Seeing these works reminds me of "comfort space"

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Thinking about how could jewellery effect body movement . tHE INTERETING FACT IS VERY LITTLE DIFFERENCE WOULD CHANGE A LOT OF THIS OF HOW IT'S GOING TO CHANGE THE POSITION. IT COULD BE VERY TIGHT BUT IT COULD ALSO BE VERY LOOSE

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alissia-melka-teichroew Again, weakening the specific symbol of each gender, it could be male or female, but it really does;t matter, because what matters is who you are rather than who you looks like you are.

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She got a lot of interesting images about black male and female. I just found her so I want to put it here to remember, but her work might doesn't have many connections to masculinity.

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NICHOLAS ALAN COPE & DUSTIN EDWARD ARNOLD

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Dukno Yoon This could be seen as both heavy and light for me. It's interesting to see hawo it's fit on the body. I wonder what material it is. I think it's not really achievable by using metal

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i LIKE THIS PHOTOGRAPHY OF IDENTITY, OF WHO I AM. SEE MYSELF THROUGH OTHER MEDIA BUT IT'S UNSEURE THAT WHAT DOES OTHER DEMIA LOOKS LIKE WOULD IT BE COMPLETELY TRANSPARENT?

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It's not lear to figure out who i exactly am

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Tanya Doddy i REALLY LIKE THIS SENSE O F WEARING SOMETHING BUT IT'S AVTUALLY THIS ITEM'S CHARGE OF HOW I MOVE.

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It's interesting to see a man wearing a women's wedding ring. I think it may could be my design point, that let man wears women's stuff like garment or something that people think are specific for women.

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Burcu Buyukunal I like this distorted face feeling, but it's also quite simple to achieve- I mean material

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I really like this piece because it's perfectly set on the body and well-designed to interact with wearer's head. As wearer nodding, it will move like a wheel. The concept is Chinese industrial evolution. I think this piece is really combined jewelry and performance in a good way.

http://www.playbackconcept.com/the-chinese-dream-of-train

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80s Vivenne Westwood

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Artist ISSHEHUNGRY. Make up is already a quite mature wy of people "hiding" their face. I think it's conceptually same with people who are hiding or pretending their masculinity.

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Lygia Clark What I like about this piece is I think it's challenging how we communicate. It provides a privacy of communication by eyes, but it's also about observing each other's eyes. What can men and women see form each other?

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It would be interesting if wearer are a man and a woman. What it could b? It could be couple communicating with each other without speaking. For example, different roles they plays at home, or giving each other different pressures by playing different roles?

 

ISEY MIYAKE

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ISSEY MIYAKE

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Tis is also what Marion and I talked, about hiding one's gender by covering face or other part of body in order to achieve the concept of being equal and weaken the symbol of each gender.

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Shai Langen Why it's hidden......?